Trio in D Major, Op. 3, No. 4 - Cello
As Talbot points out, Op. The collection—and especially the fifth concerto—spawned many arrangements for keyboard instruments. As Vivaldi scholars agree, some of the earliest and most significant transcriptions—those made in Weimar in the s by Johann Sebastian Bach as part of a series of arrangements for keyboard and organ of Italian and Italianate concertos—indirectly played a decisive role in restoring Vivaldi's reputation during the so-called "Vivaldi revival" in the twentieth century.
The Ryom-Verzeichnis , explained in detail in the two volumes Ryom and Ryom , contains a summary of the known surviving publications, handwritten manuscript copies and arrangements of the concertos. Of these six were arranged by Bach: three of those for solo violin were arranged for harpsichord; two double violin concertos for organ two keyboards and pedal ; and one of the concertos for four violins was arranged for four harpsichords and orchestra.
The concerto transcriptions by Bach were probably made in Weimar where he was employed as court organist and later concertmaster in the period — Bach made harpsichord arrangements of three of the concertos for solo violin:. There is a much later arrangement of one of the concertos for four violins as a concerto for four harpsichords and strings. It has been dated to Bach's period in Leipzig, probably in the late s or early s. Bach's transcriptions were not widely disseminated.
They were only published in the s and s by C. Peters in the editions prepared by Friedrich Griepenkerl—part of the nineteenth century "Bach revival". At that stage all of Bach's concerto transcriptions were described as "after Vivaldi", regardless of authorship. Problems with attribution were raised again by the new edition of the concerto transcriptions published by the Bach-Gesellschaft in the s.
The controversy that ensued in the s in assessing their authorship and that of the original concertos sparked the Vivaldi revival, which involved a reevaluation of Vivaldi and the eventual rediscovery of his numerous "lost" works. Anne Dawson's Book, part of a bequest of baroque musical manuscripts now held in the Henry Watson Music Library in Manchester , contains arrangements for single-manual instrument of the following concertos:.
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The canons and variations can be heard this way with different timbers, bringing out the vocal quality of the lines and allowing the listener to follow each individual voice distinctly. Queen Christina of Sweden was a fascinating personality, on the one hand celebrated for her intellectual brilliance, and on the other vilified for her scandalous behavior. Educated like a prince rather than a princess, she excelled in philosophy, classical literature, math, religion, and languages.
On reaching maturity, she made a series of radical decisions: first refusing to marry, then abdicating her throne, converting to Catholicism, and relinquishing her kingdom in Sweden for a life in Rome. A great lover of music, she supported musicians throughout her life. Repast performs music from her travels through Europe as well as from her Roman salons, including works by Corelli, Allessandro Scarlatti, Carlo Lonati, and Carolus Hacquart, with guest violinist Beth Wenstrom. Music from Paris in the Raging s.