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This month, thanks to the Feminist Press, it is about to be published for the first time in English, under the title Beijing Comrades. Beijing Comrades tells the story of Handong, a businessman with an outsized ego and sexual appetite, and his unexpected love affair with Lan Yu, a young man from the provinces who has come to the city to study architecture. Set against the cultural and political upheavals in China in the late 80s and early 90s, the narrative is at once a story about love, loss, and neoliberal capitalism.
Kait Heacock, the publicist for the Feminist Press, said that the Feminist Press was interested in the book because "it speaks to our mission of publishing work that has been silenced.
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Indeed, unlike E. James's notoriously drawn-out first novel, there are multiple sexual encounters within just the first 50 pages of the book, and the text doesn't shy away from the details. Take, for example, this description of Handong and Lan Yu's second meeting:. I kissed him with feverish excitement, pressing my body against his and travelling the length of his back with my hands. Gripping his shoulders, then his arms, I slowly lowered myself to the floor, pausing to kiss his chest, his stomach, his hands and fingers, until finally I was on my knees and his cock was in my mouth.
I squeezed his ass, so firm and compact He trembled slightly but didn't stop me. When I went in a little deeper he pulled back and hunched over, holding the back of my head for balance as if he was about to fall. Due to the subject matter, Beijing Comrades has never been published in print in mainland China. However, "by the mid- to lates, it was possible for writers to experiment with avant garde forms and countercultural creative expressions. When books with queer content were published in China, said Professor Liu in an interview, they tended towards academic texts or novels that were never explicitly labeled as "gay.
It became a touchstone for a generation of queer men, who would use the names of the characters as slang for different types of guys. The book didn't create same-sex desire in China, obviously, but it did promote an understanding of homosexuality as an identity one could organize a community around.
In the words of Professor Liu, it "gave a voice to a group, and also to social issues that couldn't be articulated before this particular language was made available.
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Given its nearly two decades of significance, then, the continued mystery surrounding the author of Beijing Comrades is quite surprising. Like Elena Ferrante , the Italian author whose name, gender, and identity are actively debated online, Bei Tong remains anonymous. In his "Translator's Note," Myers mentions three commonly discussed possibilities.
First, that the author is a tongqi , a "heterosexual woman with the misfortune of unknowingly marrying a gay man. When interviewed, Myers said he thought that the author whom he refers to as Bei Tong is likely a woman. Although they've never met or spoken, after nearly six years of occasional correspondence primarily over email, occasionally via snail mail , he said, "I don't have any doubt whatsoever" that he has been corresponding with the real author. As Myers writes in his postscript, she told him she was living in New York at the time she wrote the novel, up near Columbia University. Myers speculates that she may have been a foreign exchange student.
Why she felt that need, I don't know. Its central element, she said, is the production and consumption of "Boys' Love BL ," which she defined as "a genre of male—male romance written mostly by and for women"—although she is quick to point out that it is not only women who enjoy these stories, and among those who do, not all are heterosexual. If women didn't sometimes write chauvinistic books, Ann Coulter wouldn't have a career. Killer is supposed to be there for a short time, but he has been called up for big leagues presently. Earlier it had surfaced in literature due to the fact that many British and American writers were suppressed Gays and Lesbians.
Shakespeare dedicated his sonnets to a young man W. S Eliot was known to have a gay liaison with Jean Verdinal, and even D. Lawrence supposedly harbored homosexual leanings. However, there is a credible cue to this fact in his dedicatory poems to Edward who subsequently perished in the Great War on the Easter of During his stay in England, at The Gallows Frost became acquainted with some of the Georgian writers and met the Scottish poet and critic Edward Thomas, in London in Interestingly, Frost and Edward Thomas had many other things common in their lives besides poetry and love for nature.
Possibly that is what brought them close to each other, so much so that both soon became bosom friends. For instance, Frost fell in love with his co-valedictorian Elinor and wanted to marry her, but she persuaded him to wait till both completed their education. While he got admitted to Dartmouth College at the Hanover plain, she went to St. Lawrence University at canton, New York. In his six years of courtship, Frost went through a good deal of uncertainty and even felt that somehow Elinor might fall in love with someone else and break their secret marriage that they pledged with the exchange of plain gold wedding rings during their voyage up the Merrimack during the summer of Once, he even went to the dismal swamp to embrace an unknown death.
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Finally, much against his distrust and doubts, Elinor married him on 19th December But, he was still unable to keep his promise to Elinor of establishing himself as a great poet and depended largely on his grandfather for his financial requirement. Similarly, when Edward Thomas met Frost, he was in a similar despondent mood; the former had married his beloved Helen but was unable to solve his financial problems even though he wrote several prose pieces and sent them for publication on payment.
Much to his disappointment, he only received rejection slips from them. This pushed him in such a desperate state that he ran and stayed away for several days without letting his wife know of where he was. Also, many of his letters of this period contained the hints of panic and hysteria, and he acted as if he was caught in a trap and was fighting to get out of it. Nevertheless, he despised himself for the pain he inflicted on them and at times left his home for months on end with a view to sparing them further agony. He prophesied that amid his despondency an individual would one day emerge as his rescuer.
Indeed, Frost inspired Thomas to write poetry and pulled him out of his suicidal thoughts. So intense grew their friendship that they planned to live side by side in New Hampshire in America writing poetry, teaching, and farming. Poetry was the strongest common bond between them. Edward saw a new spark in his life because of Frost and he even dedicated some of his poetry to Frost out of the consequent gratitude. However, in their conversation about the book, it quickly became clear to Frost that this stranger saw more deeply than anyone else the psychological theme of an attempted escape and a necessary return in the arrangement of the Lyrics.
It was out of sheer desperation that Thomas reached out to Frost for help. And, Frost was always at his best as a human being when he found himself needed by someone whose psychological difficulties were in some ways analogous to his own. Under these circumstances, he had extraordinary capacity for drawing out the exact details he wanted to get at.
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During their early meetings, Frost recognized and understood the similarity between their stories. He spread out the pieces of his own story to explain and extricate Thomas from his disappointments. Their casual meeting slowly turned into a passionate friendship. When Frost settled in Little Iddens, Thomas too came over to stay with him.
During their sojourn together, they both blissfully roamed the idyllic countryside of England. It was during the month of August , when the sky was still overcast with the war clouds, Frost and Thomas shared a uniquely ecstatic experience which seemed miraculous. This marvel occurred on an evening when they both were making their way back home after a long walk together.
There came a moment of confusing lights, Such as according to belief in Rome Were seen of old Memphis on the heights Before the fragments of former sun Could concentrate anew and rise as one. Light was a paste of pigment in our eyes. And then there was a moon and then a scene So watery as to seem submarine; In which we two stood saturated, drowned. Hence, the very title indicates a search for the unknown in the poem.
The narrator and his companion need to see—see the real transcendental behind the apparent temporal. She is also the goddess of rainbow, water, floods, speed, and sleep. The earthly saturation with the rejuvenating water evokes by symbolic association the image of seminal flow in a sexual intercourse.
The wet earth passive receiver and the dripping hedges active donor symptomize an utterly satisfying homosexual union between the poet and his companion in the moonlight. The appearance of the moon—a symbol of tender, romantic love—in the scene speaks of sudden revelation of the homoerotic love between the two, which engulfed them like the tidal waters of the sea, transgressing all earthly taboos. Miracle or reality? Mine was too much of a pure rainbow, a new toy discovered by Apollo, for anyone to paint. It was more for a mythologist clad in skins. And then we were vouchsafed the miracle That never yet to other two befell And I alone of us have lived to tell.
At that moment, they felt like a submarine drowned in the ocean only to emerge as one—bounded by a sweet and passionate relation. It was an eternal moment for both, and an unforgettable experience of heavenly bliss. The poet further says: A wonder Bow and rainbow as it bent, Instead of moving with us as we went, To keep the pots of gold from being found. Their secret bonding is compared to the two pots of precious gold pure metal hidden from being found by the greedy, materialistic world. It lifted from its dewy pediment Its two mote-swimming many-colored ends, And gathered them together in a ring.
And we stood in it softly circled round From all division time or foe can bring In a relation of elected friends. The finger and the ring constitute an erotic image—of the phallus and the vagina or anus in a homosexual bonding. They thus figuratively point to a homoerotic alliance between the author and his friend.
Frost has not been able to share this experience with anyone as the foe of time took away Edward prematurely, leaving Frost alone to remember it and eternally lament over the loss. During their stay in England, they both ploughed their own furrow. Whenever Thomas was with Frost, they would walk out together in the fields and meadows of Gloucestershire. During many walks when Thomas would guide Frost in the hope of showing his American friend an extraordinary station of rare plants and wild flowers.
Finally, these ventures ended with self reproachful sighs and regrets. He blamed himself for having made the wrong choice of location, and would sigh wistfully over the lovely specimen he might have shown, if he had taken Frost to a different place. After he was declared fit by the doctor, he decided to join the war; he could never rejoin his pining friend. A, inner compulsion at the age of thirty eight, sent him forth to try a new fortune on strange shores. They departed never ever to meet again: Two roads diverged in the yellow wood And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth.
He developed such an intimate friendship with Edward Thomas that he always wanted the latter to be with him only. He wanted this bond to strengthen and continue for life. Hence, Frost assumes the role of a traveler, an explorer; he therefore watches the divergent ways thoughtfully and patiently with an expert eye. Walt Whitman in his poem In Paths Untrodden symbolized this growth of grass as pubic hair Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black.
Hence, it is difficult for the poet to choose either of them. Here, the morning is the time of the sun rise, and the leaves silently say about the fall.