La Cenerentola, Act 2, Recitative and Sextet (Vocal Score)

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A spring morning. Pandolfe comes upon Cinderella sleeping. She awakens as if in a dream to his presence. He tells her that she was talking in her sleep to Prince Charming, whom he thinks she has never seen. A chorus of young girls greet Cinderella as her father brings her home. The herald has pro-claimed that the Prince will marry the one whom the slipper fits. Cinderella is jubilant—her dream is coming true. The Court of Honor. Bright sunshine. The Princesses are there for the fitting. The Prince announces that he does not see the one he desires. Then the Fairy tumultuously intervenes, and Cinderella stands before him in splendor.

They greet each other rapturously, and all rejoice that their Prince is once again joyous. The premiere at the Westminster Choir College was performed by 13 graduate students with the composer at the piano. The chime part was added a few years later. The score specifies that this Cinderella is not a staged work but is sung in oratorio style with the singers in a row across the front of the platform, facing forward, not playing to or looking at each other.

Where the narrator stands is not specified. Synopsis: The queen sings of her royal highnessty from the dynasty of Richard Coeur de Lion; the king, in duet tells how he, like a bald eagle, looks down on the lowly plebeians. The young prince suffers from a malady that has caused him to lose his voice, but one which may be cured at the sound of the voice of a beautiful woman. So a ball is proclaimed.

Operas based on works by Charles Perrault

One is roisterous, boisterous and built like a house; the other is driveling, sniveling and built like a beanpole. In a duet her fairy godmother appears and suggests that maybe she will get to kiss the prince. In a trio the stepmother and stepsisters dress and set out for the ball. At the ball the queen sings an amusing song about her laryngitis and the stepfamily sings an aggressive song about their wretchedness. Then Cinderella arrives and meets the prince who immediately finds his voice and proposes marriage.

They pledge their love while the stepsisters curse, the king congratulates and the queen jubilates. The herald announces the dance, and they dance and dance until midnight approaches. After a tender extended goodbye the chime sounds and Cinderella flees. For months the prince wanders seeking her. A hermit sends him to another hermit who sends him to a third, who knows of a Phoebe Beebe who, he imagines, might take care of a booby like himself. The prince goes to that farmhouse, finds Cinderella, and they return to court.

The stepfamily finds the situation to be hopeless and miserable, but Cinderella brings them along and in the finale the ensemble celebrates the national holiday as Cinderella and the prince marry, and the first hermit chooses the fat stepsister, the second hermit takes the stepmother, and the third chooses Phoebe, he having known that farmer named Beebe. The herald feels left out - until the godmother appears and declares her love for him, honey lamb, and they all live happily ever after as the ensemble tells the audience that they may all be happy too.

This operetta was first performed on 21 June at the St. Duration about 50 minutes. The opera begins with the train coming on stage with its toot toots and Cinderella inside, frightened and lonely, orphaned and having to leave home to come live with Widow Grumble. But Jimmie works away, dreams, and on her own becomes a successful cabaret star. Critics panned the production for its old fashioned sentimentality, but the production toured successfully in Baltimore and Pittsburgh.

The costumes were lavish and splashy. The production opened the Apollo. See Green, pp. This melodrama capitalizes on the myth of romantic, high-minded Canadian mounties, Snidely Whiplash-like villains, and the lovely woman about to be victimized. The villainous Edward Hawley, wealthy and conniving, witnesses a murder and puts the blame on Jim, then promises to save him if Rose-Marie will consent to become Mrs. She agrees to the proposal to save her beloved, but at the last minute the real murder is discovered, Hawley exposed, and the lovers reunited.

Rose-Marie was an enormous success, with hundreds of performances by touring companies in dozens of American cities, revivals, productions abroad, London productions the run at the Theatre Royal, Drury Lane, from 20 March to 26 March , enjoyed 85l performances , and was recast in film versions in , , and He meets and marries an actress, Betty Summers, but loses her. He then makes his fortune and wins her back again. After being oppressed by an unscrupulous janitor, she falls in love with Billy, the true owner of the apartment, and they settle the territorial problem by marriage.

After quarrelling with her boyfriend she sleeps and dreams of adventures on Fifth Avenue and a yachting trip to Havana. When she awakens all is forgiven and she plans to marry Guy. Was made into a movie Leathernecking , directed by Edward Cline. See Movies. One night he dreams of Cinderella and her adventures in two kingdoms, Dullna ruled by Bluebeard, and Gayleria ruled by King Cole. But all works out well for Minnie and the wealthy Byng, nonetheless. The unique, single performance was watched by an estimated ,, on a broadcast carried by stations around the country.

No film version was made of this production video-tape had not yet been invented , though an audio tape was recorded and marketed. It was her success in that role that brought her to the attention of the producers of The Boy Friend , her first New York show. See Movies , for a later production of the Rodgers and Hammerstein Cinderella with a different cast, a production which was filmed and videotaped.

And see Pantomime Productions , ff. Cable in South Pacific, but cut from that show, a song now sung by the Prince. One suggests that the poison the step family but the Godmother says kindness is best and all agree to help.

la cenerentola act 2 recitative and aria clorinda vocal score Manual

Cinderella will attend. Cinderella prepares her step-sisters, then is left alone in the kitchen. At the ball the Prince, under the spell of Cupid, falls in love with Cinderella who escapes as the clock strikes. She loses one slipper. After a long search the Prince finds the owner of the slipper. Scene 2: Godmother Nature sends Daisy off to the ball. Hollyhock snappishly tells her to straighten her bonnet for her. Tiger Lily mocks Hollyhock and both threaten Daisy, then leave. Song of Butterflies is heard without. Daisy enters, giving her name as Marguerite.

Daisy comes in out of breath, followed by Tiger Lily and Hollyhock, who scold her. The Prince arrives.


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The godmother appears and pushes Daisy gently forward. She asks to try the slipper on, protesting that she has lost one. He rescues Mr. Kemp, an American oil millionaire from Chicago from drowning, but Gus Lumley gets credit for the heroic act on grounds that Jim is a charity case much in debt to the Lumleys, who treat him like dirt.

She knows that Jim was the hero, not Gus Lumley. At a Ball Jim goes in disguise as the Earl of Ditchim, survives shenanigans with a widow from Paraguay and a stolen necklace, and, finally, gets to marry Jill when things are all sorted out. He sticks with the job out of obligation to his uncle now deceased who took him in when he was orphaned.

He rescues wealthy Henry Kemp from drowning in a lake, but Kemp thinks Guy was the rescuer and would offer a posh executive position in his oil company to the wrong man. The fairy godmother and fairies surround her as she finishes the song. At the end Cinderella enters. As they sing the prince dances with Cinderella. Back at the house of Cinderella.

After both verses are sung the music is played a third time as the sisters try on the slipper. Oh, for shame! Cinderella is brought in during the final four measures and tries on the slipper, which fits. Based on Pygmalion by Bernard Shaw. A Signet Book. While riding her pony Feega on a plain of tumbleweeds she is hit by a freekish storm, after which she finds a bear cub that she names Teddy Bear and brings home to raise. Three weeks later, during a drought, Matt finds the coral gate open and the heifers gone.

He accuses Teddy Bear of killing the heifers and sets out with his gun to track the bear down. They come to a strange hidden valley and the horse shies in terror. A traveller comes by and explains that the bear led the cattle to water. There is no ghost, only Buddy Wrighte. They return and a ghost in fact reappears, taking a shot at them. He is in reality Notorious Ned the cattle thief. One evening a Fairy Godmother appears out of the screen and turns her into Passionella — beautiful, glamourous, radiant, ravishing.

The transformed Ella takes the subway to El Morrocco and is much admired in both places. A famous producer turns her into a movie star — the mysterious, exotic, bewitching temptress Passionella. He wants someone real, with dirty finger-nails, straggaly hair, slovenly clothes and an air of despair. He consents and she stuns the world, wins an Oscar and Flip too. Flip, too, is changed to George L. Ella loves brown; they shyly approach each other, embrace, and live happily ever after as the national anthem is heard and the TV screen shows the flag flying in bright colors.

They gaze at each other to musical effects or by playing instruments themselves as the Adjudicator becomes befuddled and loses his place and purpose while the Secretary tries to get him focused. The fairy godmother arrives to a burlesque of the Ballet of the Hours here called the Ballet of the Unsocial Hours , and gives the Prince hope; he gets the slipper and tries it on hundreds and thousands in a witty patter song, then tries with good badluck fitting the shoe to the mother and two ugly sisters, but as the band takes its place the shoe fits Cinderella and the ensemble bursts into a romantic waltz with paper and comb obligato, then modulates into a joyful bounce dance with comic words as we see how happily, happily it all turns out.

Phoenix Theatre, London. Opened 25 September Lawrence Centre, Toronto. April, Artistic Director: Bob Baker. Set Design by Leslie Frankish. This production moved to Theater Calgary in June. Donmar Warehouse, London. November February Directed by John Crowley. Gypola brings forward candidates for marriage.


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  6. Mrs Shrub and daughters arrive. She gets him to help her with her work. The dance tomorrow is to be at full moon. As night falls Vlad starts itching his hands and suddenly has an appetite for girls. The farmers affirm that it was a wolf. Paula Pound and the Hollywood royalty arrive in time for the second night of the ball when Vlad is to make his decision.

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    Education Guide. Explore your love for music with this essential guide to educational courses throughout the UK A gift to the world. Festivals Across the UK and Europe, these classical music festivals attract some of the world's finest Monthly Choices Roll over covers to find out more. A dazzling duo exude mystery and intensity in Beethoven cello works 'Alexei Grynyuk handles his part with delicacy and flexibility, and his articulation throughout this recording is pellucid even at top speed'.

    Inspiring handling of rivalry in this Handel and Porpora duality 'Bridelli showcases both Handel and his operatic opponent Porpora with impressive agility'. A selection of brass masterpieces from talented soloists 'Masterpieces that honour the soloists throughout'. An infectious performance by Alexi Tuomarila and friends 'Alex Tuomarila's trio perform a dizzying selection of tantalising tracks'.

    Recording of the Month. Most Popular Most Recent. Six of the best… baritones. Wolfgang Amadeus Mozart Luciano Pavarotti: The best recordings. Act IV, Chorus: 'Volez, que l'amour vous seconde! Act V, Recit: 'Que vois-je, O dieux! Act V, Recit: 'Trop superbes rivaux' , 2 mins. Act V: Descente d'Apollon , 2 mins. Act V: Air un peu vif -- Air gracieux -- Air vif , 3 mins. Act V, Duet: 'Que ces moments sont doux! Act V: Air andante -- Pas de deux -- Menuets , 4 mins.

    Act V, Air: 'Que l'amour embellit la vie' , 3 mins. Triumph of Love , 58 mins. Show more segments. La Cenerentola directed by Peter J.

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    Vladimir Jurowski and Sir Peter Hall are reunited for a fresh and vibrant but timelessly elegant production of Rossini's much-loved setting of the Cinderella story. La Cenerentola. Description Vladimir Jurowski and Sir Peter Hall are reunited for a fresh and vibrant but timelessly elegant production of Rossini's much-loved setting of the Cinderella story. Act I: No. Act I: Recitative 'Date lor mezzo scudo' , 1 min. Act I: Recitative 'Sappiate che fra poco Act I: Recitative 'Non so che dir' , 1 min. Act I: Recitative 'Allegrissimamente! Act I: Recitative 'Ma bravo, bravo, bravo! Act I: Finale 'Zitto zitto' , 8 mins.

    Act I: Finale 'Ah! Se velata ancor' , 8 mins. Act I: Finale 'Signora Altezza' , 5 mins. Synopsis , 6 mins. Act II: Recitative 'Mi par che quei birbanti' , 2 mins. Act II: No. Act II: Recitative 'Ah! Questa bella incognita' , 3 mins. Act II: Recitative 'Mi seconda il destino' , 1 min. Act II: Recitative 'Quanto sei caro! Act II: 'Donna sciocca! Act II: Recitative 'Dunque noi siam burlate? Act II: Finale 'Nacqui all'affanno Designed in an austere but traditional style by Margit Bardy, it conveys Beethoven's theme — the triumph of Designed in an austere but traditional style by Margit Bardy, it conveys Beethoven's theme — the triumph of love and freedom over the forces of evil and oppression — with a natural, unadorned simplicity.

    Show more Show less. Publisher ArtHaus Musik. Dialog: O! Dialog: Jaquino, die Liste , 1 min. Quartett: Mir ist so wunderbar , 5 mins.

    La Cenerentola, Act 1, Recitative and Quintet (Vocal Score)

    Dialog: Und da, die Kasse , 1 min. Arie: Hat man nicht auch Gold beineben , 3 mins. Dialog: Ja, sie kommen aus Sevilla , 2 mins. Marsch , 1 min. Dialog: Teilen Sie die Wache ein , 1 min. Arie mit Chor: Ha! Welch ein Augenblick!

    Rossini - La Cenerentola - Abbado

    Dialog: Hauptmann! Besteigen Sie mit dem Trompeter das Dach , 1 min. Duett: Jetzt, Alter! Jetzt hat es Eile , 5 mins. Rezitativ und Arie: Abscheulicher! Wo eilst du hin? Finale: O welche Lust! In freier Luft , 19 mins. Introduktion und Arie: Gott! Welch Dunkel hier , 12 mins. Melodram und Duett: Kalt und klamm ist es hier Nur hurtig fort, nur frisch gegraben , 5 mins. Dialog: Er erwacht! Terzett: Euch werde Lohn in bessern Welten , 7 mins. Dialog: Alles ist bereit , 27 secs. Quartett: Er sterbe!

    Doch er soll erst wissen , 5 mins. Duett: O namenlose Freude! Finale: Heil sei dem Tag! Heil sei der Stunde , 14 mins. Bows and Credits , 3 mins. La Gazza Ladra. She is brought to trial by the Justice of the Peace, whose advances she has repulsed, and is condemned to death. Tragedy turns to comedy when, just before the execution is due to take place, it is discovered that the real thief is a magpie.