Saved by his Grace (Uncommon Grace Series Book 1)

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However, we cannot magnify one doctrine and its inferences over another doctrine that is equally, and in this case, even more plainly taught in the Bible. Here are some examples:.

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An independent choice. God chose by Himself for Himself. Acts — as many as had been appointed to eternal life believed. Romans and whom He predestined, these He also called; and whom He called, these He also justified; and whom He justified, these He also glorified. It is in bondage to sin Rom. The doctrine of election, that God by His sovereign choice chooses who will be saved, in no way violates what He also says about His commandments to repent or His offer of salvation to whoever will come. The sinner that responds to the call of salvation does not violate his own will, instead it is the sovereign grace of God that makes him willing to respond.

The relationship of Divine Sovereignty and human responsibility is a mystery to us and will not be solved this side of heaven. This covers both the positive and negative aspects. Holiness takes in three aspects: past, present, and future. We were set apart to God when He chooses us, we are being set apart in the present as we more faithfully live for Him, and we will be set apart in fullness in the future when we dwell with Him in heaven. In Christ we are made holy and blameless before God and the striving of the Christian is to live that truth out practically in day to day life.

The believer desires daily life to match his position before God. The simple fact is that one would not believe apart from Holy Spirit working in the individuals life, and apart from God there is nothing in man to desire. There is no predestination for hell as there is for heaven. The ultimate consequence of sin is eternity in hell and that is the destination of all men except those that God lovingly and graciously chooses to save. Immediately some accuse God of being unfair because He chooses some and not others.

If God was fair, He would chose none and all mankind would be lost. Instead He is loving and gracious and He chooses whom He wills. Never ask God to be fair for that would result in His judgement and His just condemnation. Always ask Him to be gracious and merciful. The love that chooses and sacrifices itself for the benefit of the one chosen. God poured His love to mankind not because of anything in mankind but according to the kind intention of His will. That boggles our minds, but it is true.

This speaks of the relationship He has called us too. God could have saved us from sin without making us His children, but in His love He also marked us out in eternity past to be His sons and daughters. In addition, adoption grants the privileges and responsibilities of a grown son. Our adoption, just as our salvation, comes through Jesus Christ. I wonder how many people who profess faith in the Lord Jesus Christ understand that salvation is for the express purpose of bringing glory to God.

How different the lives of so many professing Christians would be if they simply understood the purpose of their salvation. But this may be why Clark brings up the well-meant offer as a reason why the gospel must be preached to all. The well-meant offer supposes that God loves and desires the salvation of all men. Thus the thinking is that because God desires all men to be saved the church must preach the gospel to all who are unsaved as she has opportunity. Seems logical. However, things are not as simple as they may seem on the surface.

That premise is that the only reason God would want the church to preach the gospel to unsaved people is that he desires the salvation of all people. Clark has not stated that this is his belief in so many words in anything I have read of him. If God does not desire to save all in the preaching of the gospel, what rationale would there be for preaching to the lost? But the premise that the only rationale for preaching the gospel to lost sinners is that God desires the salvation of all who hear the preaching is false.

God does not have to love every lost sinner to desire that the gospel be preached universally, seriously, and freely. It is enough that God loves His elect who are lost. Surely the church has ample reason to preach the gospel to everyone she can because she knows God has determined to use the preaching as the means to gather his eternally beloved elect from among the unconverted in the world.

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The logic of our position is very clear and consistent. The elect have not all been converted and brought to the knowledge of salvation. God desires their salvation. The means that God has instituted to convert the elect is the preaching of the gospel by the church. God has not revealed to the church who among the unconverted are elect. Therefore, for the sake of the salvation of the elect, who are known to God but unknown to the church, the church must preach the gospel to all. This is both logical and more importantly in complete harmony with scripture and the Reformed creeds.

Humble gratitude for the amazing grace of God impels the church to preach the gospel to lost sinners wherever she has opportunity—confident that this amazing grace will shine to the glory of God in the salvation of all his elect. The Reformed Free Publishing Association RFPA is an independent, non-profit organization founded in for the purpose of witnessing to the distinctive Reformed truth. Phone: Email: mail rfpa. With her smart plot and fascinating, nuanced characters, Penny proves again that she is one of our finest writers.

For connoisseurs of mysteries, success is judged by the genre's holy trinity: plot, people and prose. When all three attain excellence, a fourth quality shines through: power.. Penny continues to amaze with each novel. Wrapped in exciting plots and domestic details, her characters are people we want to follow through their very real joys and sorrows.

Wonderful, complex characters and sophisticated plotting makes this a perfect book. Do not miss it. I keep using the word "stunning" for Ms. Penny's work time and time again. And I keep saying "this one is the best one yet. HOW does she keep doing this? And continually top her own work? Some things many of us have been waiting for, a few things that will make you laugh out loud, some things that will break your heart and move you to tears along with a few surprise twists.

You know - all those things that Louise Penny just keeps doing with such apparent ease. As Quebec City shivers in the grip of winter, its ancient stone walls cracking in the cold, Chief Inspector Armand Gamache plunges into the most unusual case of his celebrated career. A man has been brutally murdered in one of the city's oldest buildings - a library where the English citizens of Quebec safeguard their history.

And the death opens a door into the past, exposing a mystery that has lain dormant for centuries We've been working with a top walking tour company in the venerable old city, Tours Voir Quebec, and are very happy to endorse this. It's available in either English or French. Here's the link. Bon voyage et Vive Gamache! Meanwhile, Gamache dispatches his longtime colleague, Insp.

Jean Guy Beauvoir, to the quiet town of Three Pines to revisit the case supposedly resolved at the end of the previous book. Few writers in any genre can match Penny's ability to combine heartbreak and hope in the same scene. Increasingly ambitious in her plotting, she continues to create characters readers would want to meet in real life. People Magazine 4 out of 4 stars 'editor's pick'! Her beautifully elegiac sixth book interweaves three story lines while plumbing the depths of Gamache's grief.

The result is sophisticated and moving - her best yet. Penny hits every note perfectly in what is one of the most elaborately constructed and remarkably moving mysteries in years. Bring on the awards. Library Journal Superb And then some! Toronto Globe and Mail. The book, obviously, is a must-read for her fans, and demonstrates once again that she is in the first rank of crime-fiction writers in Canada, or indeed, in the world. Chaos is coming, old son. With those words the peace of Three Pines is shattered. As families prepare to head back to the city and children say goodbye to summer, a stranger is found murdered in the village bistro and antiques store.

Once again, Chief Inspector Gamache and his team are called in to strip back layers of lies, exposing both treasures and rancid secrets buried in the wilderness. No one admits to knowing the murdered man, but as secrets are revealed, chaos begins to close in on the beloved bistro owner, Olivier. How did he make such a spectacular success of his business? What past did he leave behind and why has he buried himself in this tiny village? And why does every lead in the investigation find its way back to him? Globe and Mail , Margaret Cannon Penny isn't Christie.

For one thing she's a far more accomplished craftsman, relying more on depth of character than formula. She also likes a complex plot that owes more to human emotion and psychology than to clockwork timing. This puts her closer to PD James The best Gamache novel so far. Daily Mirror 4 stars out of five , Henry Sutton The Canadian village of Three Pines is given a shocking awakening when a stranger is found dead in the local bistro.

But soon Chief Inspector Gamache discovers the bistro owner had a shady past. The Bookbag 4. It's not just the skill of the plot, but the way that words are never wasted and that so few of them can produce a vivid picture. Dialogue is perfect and there's a real talent for capturing the one-liners which make you laugh out loud. Shots Mag , Mike Stotter I have always been dismissive of the expression "I couldn't put it down", but after reading Louise Penny's latest story of the idyllic French Canadian village of Three Pines I acknowledge that there is some truth in it.

I read this book in one session, anxious to reach the unravelling of a complex plot dealing with mystery, artistic integrity, murder, of course, and relationships. Her courtly, poetry-loving Inspector Gamache, who peers into suspects' souls over meals so mouthwatering you'll want to book a flight, contributes a humane and sophisticated perspective on human foibles.

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Her fifth in the series is the finest of all. Fortunately, sagacious Gamache possesses the acumen to peel away the layers of deceit and to expose the truth. Her characters are too rich, her grasp of nuance and human psychology too firm for the formula-bound Christie. No, Penny belongs in the hands of those who read not only P. Armand Gamache investigates. At a cabin in the woods apparently belonging to the dead man, Gamache and his team are shocked to discover the remote building is full of priceless antiquities, from first edition books to European treasures thought to have disappeared during WWII.

Readers keen for another glimpse into the life of Three Pines will be well rewarded. Joseph Beth bookstores , Cincinnati, Ohio, Micheal Fraser I was prepared to be vastly entertained by a witty, sometimes funny and intricately plotted mystery whose solution always lies in the hearts of men and the ability of Gamache to suss out what lies within. I was not prepared for this compelling and unflinching look into the heart of darkness that resides within us all.

It is a universal truth that we can never fully know another human being and many times, not even ourselves. In a brutal telling itself, Penny connects us with our own humanity as well as others. She shows us the fragility of our existence and that even living within the pale doesn't exempt us and we can have everything taken away in a very short time.

Plus an astonishing ending! Who could ask for anything more? With almost every word, she gives you something to hope for I'm shouting about it all over the place, and I'm already quite sure it will be in my Top Five Favorite Books of Add this to your "Gotta Read" list. Wealthy, cultured and respectable, the Finney family is the epitome of gentility. When Irene Finney and her four grown-up children arrive at the Manoir Bellechasse in the heat of summer, the hotel's staff spring into action.

For the children have come to this idyllic lakeside retreat for a special occasion - a memorial has been organised to pay tribute to their late father. But as the heat wave gathers strength, it is not just the statue of an old man that is unveiled. Old secrets and bitter rivalries begin to surface, and the morning after the ceremony, a body is found. The family has another member to mourn. A guest at the hotel, Chief Inspector Armand Gamache suddenly finds himself in the middle of a murder enquiry. The hotel is full of possible suspects - even the Manoir's staff have something to hide, and it's clear that the victim had many enemies.

With its remote location, the lodge is a place where visitors come to escape their pasts. Until the past catches up with them Not only does the auberge offer grand views and the order and calm of old-world service, but it also observes a no-kill policy, with the proprietors feeding wild animals in winter and forbidding guests to hunt or fish.

Someone obviously failed to explain that rule to the cultured but quarrelsome family holding a reunion to unveil a statue of their late patriarch, who makes his feelings felt by toppling down on one of his own.

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As Gamache observes, things were not as they seemed, not even in a paradise like Bellechasse. And never in a Louise Penny mystery. Blackstone, unabridged, nine CDs, 11 hrs. Celebrated British narrator and actor Ralph Cosham brings this wonderful murder mystery to life and draws in listeners with his charisma. Penny's taut, darkly comedic tale features the Finney family, which has gathered for the installation of a statue of their long-dead patriarch. When the statue falls and kills one of his daughters, Insp. Armand Gamache Cosham at his very best must unravel the plot before it's too late.

Cosham's characters are refreshingly original and never overplayed, and the Old World quality of his voice invokes radio murder mysteries from decades past, creating an endlessly entertaining listening experience. Australian Women's Weekly Beautiful imagery, deft characterisation and deliciously dense plots Weekend Australian Louise Penny's village whodunits make perfect beach reading for this summer.

Notebook Magazine To say this book has an old-fashioned feel is not to denigrate it. There is nothing hard-boiled about Armand: he's a man who loves his family, is loyal and decent Richmond Times-Dispatch Once again, Penny concocts an intricate and intriguing plot and peoples it with credible characters and the continually fascinating Gamache No murder would be complete, of course, without death.

Denver Post An ingenious, impossible crime puzzle for the reader. An IndieNext pick formerly BookSense for February 09 Mystery Reader five out of five stars Louise Penny has created in her Inspector Gamache series a clever combination of a police procedural and cozy mystery novel. The setting itself is reminiscent of the golden age of mysteries.

Indeed this novel is a classic locked room mystery. Penny has a superb command of the English language. As a mystery author, Ms. Penny plays fair with her readers. The Charlotte Observer 4 out of 4 stars At least two people are waiting very impatiently for this review to be done so I can pass the new Louise Penny along to them. With just her fourth book, she already has that kind of well-deserved following Starred Library Journal Canadian author Penny has garnered numerous awards for her elegant literary mysteries featuring the urbane Armand Gamache, chief police inspector from Quebec.

Gamache is intelligent, observant, and implacable, indispensible attributes for the sophisticated detection that characterizes this series Her psychological acumen, excellent prose, and ingenious plotting make this essential reading for mystery lovers and admirers of superb literary fiction. Fans of Dorothy L. Sayers, P. James, and Elizabeth George will also be delighted. One of the best traditional mystery series currently being published. Publishers Weekly Murder interrupts Chief Insp. It's a serious novel that bridges the gap between the mystery genre and mainstream fiction Louise Penny's fourth novel is an enduring mystery that begins and ends with the qualities that make great fiction writing -- compelling storytelling, evocative descriptions that are the heart of the story -- and characters the novel's soul who are rich in qualities and foibles that make them unforgettable -- and capable of murder.

Time Out London. Montreal Review of Books The plotting is flawless and when the murderer is finally revealed in a thrilling climactic scene Penny has found her perfect formula with the carefully constructed puzzle plot in the perfect village with the classic cast of characters. The fact that it's modern Quebec is the icing on the petit four Once the puzzle is set up, it's impossible to put this book down until it's solved.

Devotees of Christie will be delighted by Penny's clever plots and deft characters. The Irish News In a traditional who-dunnit crime thriller that rivals Agatha Christie's Poirot, Gamache is a refreshing alternative to the hard-nosed stereotypical detective. Penny builds the lives and imperfections of the characters effectively, exposing the complexity of human nature, challenging the reader's opinion and creating a constant sense of suspicion.

This is a classic tale that proves that revenge is a dish best served ice cold. You have to read it The temptation is to scarf Penny's books like potato chips but it's ever wise to savor each bite and let the flavors fill your tongue. Easter in Three Pines is a time of church services, egg hunts and seances to raise the dead. A group of friends trudges up to the Old Hadley House, the horror on the hill, to finally rid it of the evil spirits that have so obviously plagued it, and the village, for decades.

One of their numbers dies of fright. As they peel back the layers of flilth and artiface that have covered the haunted old home, they discover the evil isn't confined there. Some evil is guiding the actions of one of the seemingly kindly villagers. A very personal demon is about to strike. A time of rebirth, when nature comes alive. And it become clear - for there to be a rebirth, there first must be a death. The mouthwatering food, the beautiful gardens, the quirky and literate villagers -- Three Pines is a charming oasis for the spirit Move over, Mitford. The Scotsman There's real pleasure here.

Kirkus Review Perhaps the deftest talent to arrive since Minette Walters, Penny produces what many have tried but few have mastered: a psychologically acute cozy. If you don't give your heart to Gamache, you may have no heart to give. Publishers Weekly Chief Insp. Highly recommended. As Penny demonstrates with laser-like precision, the book's title is a metaphor not only for the month of April but also for Gamache's personal and professional challenges - making this the series standout so far.

And this place, this wonderous, fantastical place.

God’s Grace Revealed From Creation

The thing about the Gamache novels is that while the crimes are intriguing, the people are downright fascinating not just Gamache himself, who manages to be completely original despite his similarities to Columbo and Poirot, but also the entire cast of supporting characters, who are so strongly written that every single one of them could probably carry an entire novel all by themselves.

The writing is sensual, full of sights and smells and tastes that will resonate with her readers. And although Penny paints an almost Grandma Moses idealized view of village life, it is a view tinged with ominous foreboding, reminiscent of the brooding images of Breughel and Bosch It's a gem. Penny's writing is rich in imagery and atmosphere and characterised by a very quick and highly verbal intelligence. Winter in Three Pines and the sleepy village is carpeted in snow.

It's a time of peace and goodwill - until a scream pierces the biting air. There's been a murder. Local police are baffled. A spectator at the annual Boxing Day curling match has been fatally electrocuted. Despite the large crowd, there are no witnesses and - apparently - no clues. Called in to head the investigation, Chief Inspector Armand Gamache unravels the dead woman's past and discovers a history of secrets and enemies. But Gamache has enemies of his own. Frozen out of decision-making at the highest level of the Surete du Quebec, Gamache finds there are few he can trust.

As a bitter wind blows into Three Pines, something even more chilling is sneaking up behind him Gamache is a prodigiously complicated and engaging hero, destined to become one of the classic detectives. Library Journal A highly intelliegent mystery. Penny's new title is sure to creat great reader demand for more stories featuring civilized and articulate Chief Inspector Armand Gamache.

Booklist Gamache, a smart and likable investigator - think Columbo with an accent, or perhaps a modern-day Poirot This is a fine mystery in the classic Agatha Christie style and it is sure to leave mainstream fans wanting more. Koch For all the perplexing mechanics of the murder, and the snowed-in village setting, this is not the usual "cosy" or even a traditional puzzle mystery.

It's a finely written, intelligent and observant book. Imbued with a constant awareness of the astonishing cold, this perfect blend of police procedural and closed-room mystery finds its solution, as in the best of those traditions, in the slow unlayering of a sorrowful past. Her characters leap from the page, her plotting is sublime, the atmosphere she builds in a bitter Quebec winter in Dead Cold, completely chilling.

The writing is superb. A magnificent read. And like Gamache, you too will be drawn to Three Pines and to this work of magical realism masquerading as a cosy English mystery. We're back in the charming Quebec village of Three Pines The setting is wonderfully done, as are the characters.


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The solution is perfectly in tune with their psychology and there's plenty of evidence that Gamache will make a third appearance. Sooner or later the whole world will discover Penny. With a unique sense of timing, patience and subtle wit, Penny is able to create a whodunit that recalls those of Agatha Christie Magically bringing the postcard village of Three Pines to life, she gives it innocence, allows a touch of evil to intrude and then brings in the outsider, the intriguing Gamache, to solve the crime.

The result is an engrossing read that will only add to the ranks of her readers. Shotsmag, UK This is a wonderful novel, full of mystery. It is as deeply layered as snow drifting down upon snow. The cold will seep into your bones so wrap up warm and have a good hot drink at your elbow. As the early morning mist clears on Thanksgiving Sunday, the homes of Three Pines come to life - all except one. To locals, the village is a safe haven. So they are bewildered when a well-loved member of the community is found lying dead in the maple woods.

Surely it was an accident - a hunter's arrow gone astray. Who could want Jane Neal dead? Gamache knows something dark is lurking behind the white picket fences, and if he watches closely enough, Three Pines will begin to give up its secrets. Kirkus Review Cerebral, wise and compassionate, Gamache is destined for stardom. Don't miss this stellar debut. Publishers Weekly Like a virtuoso, Penny plays a complex variation on the theme of the clue hidden in plain sight.

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Filled with unexpected insights, this winning traditional mystery sets a solid foundation for future entries in the series. Booklist , Emily Melton This is a real gem of a book that slowly draws the reader into a beautifully told, lyrically written story of love, life, friendship and tragedy. Miss Jane Neal kept a well-read book on her nightstand, C. Lewis' Surprised by Joy. That title is a fitting phrase for Still Life. Three Pines delivers. Toronto Star, Jack Batten A delightful and clever collection of false leads, red herrings, meditations on human nature, strange behavior and other diverting stuff.

The Calgary Herald , Joanne Sasvari, This is a much darker, cleverer, funnier and, finally, more hopeful novel than even the great Dame Agatha could have penned. It's light, witty and poignant, a thrilling debut from a new Canadian crime writer. As the last note of the chant escaped the Blessed Chapel a great silence fell, and with it came an even greater disquiet.

The silence stretched on. And on. These were men used to silence, but this seemed extreme, even to them. And still they stood in their long black robes and white tops, motionless. These were men also used to waiting. But this too seemed extreme. The less disciplined among them stole glances at the tall, slim, elderly man who had been the last to file in and would be the first to leave.

Dom Philippe kept his eyes closed. Where once this was a moment of profound peace, a private moment with his private God, when Vigils had ended and before he signaled for the Angelus, now it was simply escape. Besides, he knew what was there. What was always there. What had been there for hundreds of years before he arrived and would, God willing, be there for centuries after he was buried in the cemetery. Two rows of men across from him, in black robes with white hoods, a simple rope tied at their waists. And beside him to his right, two more rows of men. They were facing each other across the stone floor of the chapel, like ancient battle lines.

No, he told his weary mind. Just opposing points of view. Expressed in a healthy community. Then why was he so reluctant to open his eyes? To get the day going? To signal the great bells that would ring the Angelus to the forests and birds and lakes and fish. And the monks.

To the angels and all the saints. And God. In the great silence it sounded like a bomb. With an effort he continued to keep his eyes closed. He remained still, and quiet. But there was no peace anymore. Now there was only turmoil, inside and out. He could feel it, vibrating from and between the two rows of waiting men. He could feel it vibrating within him.

Dom Philippe counted to one hundred. Then opening his blue eyes, he stared directly across the chapel, to the short, round man who stood with his eyes open, his hands folded on his stomach, a small smile on his endlessly patient face. And the bells began. The perfect, round, rich toll left the bell tower and took off into the early morning darkness.

AN UNCOMMON GRACE

It skimmed over the clear lake, the forests, the rolling hills. To be heard by all sorts of creatures. A clarion call. Their day had begun. That would be ridiculous. In the background an old Beau Dommage album was playing. Beauvoir hummed quietly to the familiar tune. Beauvoir laughed. Poor Mom. Felt she had to marry him. After all, who else would have him? Beauvoir laughed again. I could hardly give you a worse gift. He reached down beside the table in the sunny kitchen.

A platter of bacon and scrambled eggs with melted Brie sat on the small pine table. The cat leapt to the ground and found a spot on the floor where the sun hit. Beauvoir lifted it into plain sight. Happy anniversary. And I got you nothing. Annie took the plunger. You are full of it, after all. She thrust the plunger forward, gently prodding him with the red rubber suction cup as though it was a rapier and she the swordsman.

So like Annie. Where other women might have pretended the ridiculous plunger was a wand, she pretended it was a sword. Of course, Jean-Guy realized, he would never have given a toilet plunger to any other woman. Only Annie. As he spoke he looked at Annie. Her eyes never left him, barely blinked. She took in every word, every gesture, every inflection. Enid, his ex-wife, had also listened. But there was always an edge of desperation about it, a demand. As though he owed her. As though she was dying and he was the medicine.

Enid left him drained, and yet still feeling inadequate. But Annie was gentler. More generous. Like her father, she listened carefully and quietly. With Enid he never talked about his work, and she never asked. With Annie he told her everything. He told her what they found, how they felt, and who they arrested. Beauvoir nodded and chewed and saw the Chief Inspector in the dim cabin.

Whispering the story. So as the two homicide investigators deftly searched, Chief Inspector Gamache had told Beauvoir about the bathmat. And somehow deciding a bathmat was the perfect hostess gift. Her mother never tired of asking either. Her father, on the other hand, decided I was an imbecile and never mentioned it again. That was worse.

When they died we found the bathmat in their linen closet, still in its plastic wrapping, with the card attached. Beauvoir stopped talking and looked across at Annie. She smelled fresh and clean. Like a citron grove in the warm sunshine. No makeup. She wore warm slippers and loose, comfortable clothing. Annie was aware of fashion, and happy to be fashionable. But happier to be comfortable.

She was not slim. She was not a stunning beauty. But Annie knew something most people never learn. She knew how great it was to be alive. It had taken him almost forty years, but Jean-Guy Beauvoir finally understood it too. And knew now there was no greater beauty. Annie was approaching thirty now. Had made him part of the team, and eventually, over the years, part of the family. Though even the Chief Inspector had no idea how much a part of the family Beauvoir had become. She held up the plunger, with its cheery red bow. Would die together. In a home that smelled of fresh citron and coffee.

And had a cat curled around the sunshine. But hearing it now, it just seemed natural. As though this was always the plan. To have children. To grow old together. Beauvoir did the math. He was ten years older than her, and would almost certainly die first. He was relieved. But there was something troubling him. Annie grew quiet, and picked at her croissant. Just us. You know?


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He could never stop them, but it would be a disaster. The Chief and Madame Gamache will be happy. Very happy. But he wanted to be sure. To know. It was in his nature. He collected facts for a living, and this uncertainty was taking its toll. It was the only shadow in a life suddenly, unexpectedly luminous. But in his heart it felt like a betrayal. She leaned toward him, her elbows and forearms resting on the croissant flakes on the pine table, and took his hand.

She held it warm in hers. My father would be so happy. Seeing the look on his face she laughed and squeezed his hand. She adores you. Always has. They think of you as family, you know. As another son.