Otto ore (Italian Edition)

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Short twisted pasta, cherry tomatoes, basil pesto. Pineapple granita, candied fruit, lime sorbet, pistachios. Hervey Bay scallops, cauliflower, zucchini, capers, lemon.

Moreton Bay blue swimmer crab and mascarpone filled pasta, black garlic crema. Vanilla yoghurt, lime sorbet, coconut, passionfruit parfait. Banana caramel, hazelnut cream, puffed farro, gianduia gelato. Rich with buttery flavour it has a delicate nuttiness that is balanced by subtle grassy notes. This soft and ripe cheese is light straw in colour, has the sweetness of cream and butter, acidic notes and a yeasty finish.

This Taleggio has a mild, creamy and delicate palate. The flavour is complex and yeasty with hints of almonds and hay. Soft, creamy and mouth filling. Savoury and buttery with a lingering lactic sweetness. Every Saturday Lunch at OTTO we welcome guests to raise a glass with friends and family over a shared three course menu. Villani Culatello, stracciatella, globe artichokes, salsa verde. Braised veal shin, tomato, capers, olives, oregano, polenta.

Marsala mascarpone, coffee soaked biscuits, chocolate. Comune di Venezia ,. Progetto Giovani Padova ,. Partner aziendali della scuola che hanno collaborato e collaborano alla realizzazione dei progetti dei corsi:. Durante il corso, i nostri tutor avranno modo di conoscervi e di consigliarvi sui possibili enti pubblici o strutture private dove poter svolgere un tirocinio. Numerosi studenti che hanno frequentato il Corso in pratiche curatoriali hanno avuto modo di insersi con successo nel mondo lavoro intraprendendo la carriera di curatori, allestitori di mostre, organizzatori, ufficio stampa.

Alcuni dei nostri studenti hanno avuto modo di collaborare con:.

Italy: Women of the Po Valley

Altri nostri studenti hanno costituito delle situazioni indipendenti: Beoproject, Belgrado Artplaces, Milano. Diventa nostro Sostenitore! The second module is dedicated to individual researching and finalizing the project. During this period of time the students will have to face practical duties, such as coordinating the artists, managing transportation and insurance policies, promoting and curating the promotional material. The last part of the course lies in the production of the event.

During this period of time all the work concerning the final event is going to take place. The students will have to coordinate the arrival and the set up of the works of art.


Organize all the different aspects related to the event as promotion, organisation and opening. After the presentation to the public the student will be given the tools to document professionally the event. The spaces of the School for Curatorial Studies are continuously used as a stimulating ground for the creativity and cultural potentialities of our students.

A practice that offers the possibility to expand the knowledge and develop competences related to creation and realization of temporary exhibitions. K Takes the waters at riva. Version A. For this exhibition, sixteen emerging curators, working with curator and writer Saim Demircan, have collectively read W. In the second and third chapters of Vertigo, Sebald narrates twin journeys from Vienna to Venice made by two literary figures; the author himself, or rather, a version of himself, and a Dr K. Confronted with excess, our instinctive reaction is to organize and compartmentalize our thoughts and experiences.

On the one hand, this can serve as an effective coping mechanism to deal with topics we are not ready to address.

On the other, it can function as a form of denial or stigmatization. We accumulate and expel, putting things aside to deal with them later, but more often than not we forget what we have put away in the first place. The students of the school have been reflecting on an ongoing issue: the echo chambers phenomenon. This debate has highlighted how, despite the internet having been conceived with the clear intent of democratising information to make it accessible to everyone, it has often led to the opposite effect.

This premise has been fundamental to the central theme of the project: to investigate the dichotomy between freedom and security, analysed across different aspects of everyday life.


This topic has been the subject of philosophical debates for centuries, but its social and political implications prove its current relevance: what is it that makes us feel free, and what, on the other hand, makes us feel secure? Where is the distinction between the definition of freedom and that of security? It is a matter of questioning the invisible aspects that rule this increasingly visual reality, and by doing so, groping paths that could possibly allow us to leave the condition of lethargic spectators to become real political actors.

Press Release. The aim of the project is to create a reflection around art and its sense of community, creating a link between the arts and the contemporary city. In fact, Venice seems the perfect backdrop for this project, perceived by people in two different ways: on one hand for the collective consciousness, Venice always looks the same, as lost in the past in its defined structures, on the other hand during the last few decades, the city has been changed drastically by economic and social dynamics. The urban pattern and traditional architecture change their original role: private houses, churches, shops, historical buildings and squares become places with different functions.

Press release: From the city. Considering themes of desire, taste, digestion, and waste, the exhibition used an experimental curatorial model to orchestrate an organic exploration of corporal, sociopolitical, and aesthetic hungers. Press release. The exhibition describes place as a kaleidoscope through which the artist and the spectator watch the surrounding reality, perceived as one of the many synonyms of Art.

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In fact, as Harold Rosem- berg said, since the 70s art has begun a gradual and relentless process of de-de nition; adapting itself to the changes made by 20th Century artists and becoming an inter-disciplinary eld and thus opening its boundaries to reality. This is the theme explored by the students of the 19th Course in Curatorial Practices and Contemporary Art in a group exhibition, through photographs, videos, installations, sound art interventions and interactive works.

ThisAge attempted to express the discomfort of an era of economic uncertainty, wars and a rapidly changing society that inevitably affects our daily lives. A situation that becomes explicit in the work of the numerous artists who responded with a reflection on the ruthless and cruel reality that is often hostile. It developed a consideration on what the exhibitive spaces meant as the dynamic place where various story-lines interact amplifying its contents and multiplying its dimensions.

It is a place where the borderline between perception and abstraction becomes uncertain, permitting the young artists to slip between reality and utopia. It hosted cross-curricular projects, all connoted by the will of experimenting and researching new possibilities of expression. For the occasion the audience was launched into another reality, geographically neighbouring Italy: the area of the ex Jugoslavia, country of origin of the involved artists.

Checkmate to the Queen proposed an observation about art and its rules, meant both as the personal language of the artist then as the pre-established norms that regulate the relationship between the artwork, the artist, the audience and the methodologies of production and consume of art. Limited Traffic Zone cured by the 13th Program for Curators: a performing installation born from the comparison between the aspiring curators and four young artists: Andrea Cazzagon, Neil Barbisan, Nereo Marulli and Stefano Zatti.

From this synergy they developed a project focused on maximum exploitation of the spaces of the art gallery. Through a transformation of the spaces, the audience could, with an illusionistic game, be overpowered by the nature of the edited spaces, and took on a role as protagonist. Frpm the 23rd of June to the 15th of July an exraordinary selection of the most wonderful private gardens of the city has bene opened to the people. Inside of the gardens a series of temporary exhibitions have been dipslayed. The collective exhibition V. Genius Loci — the secret gardens of Venice, is another successful project created by curators formed by the school.

From the 23rd June to the 15th July Venice was given the opportunity to rediscover and renew itself through the opening of an extraordinary selection of the most beautiful private gardens of the city, enriched by the presence of temporary exhibitions made by sculptures and site-specific installations, realized by numerous Italian and international artists. The group of young curators — more than twenty people with different backgrounds and cultural experiences — organized an exhibition of contemporary art which involved ten private galleries of the city of Venice.

The A plus A hosted the exhibition Decalogo 5, the seventh appointment of this pathway around the city of Venice. Moreover, the 10th edition of the Program saw the encounter between the young artists of the Academy of Fine Arts of Venice and the students of our school and they jointly organized the event Exercise of Style. This was a project realized to create a new relationship between young artists and curators in order to discover and promote the emerging talents of the territory, introducing new levers in the contemporary art circuit.

The exhibition was the result of a debate on the theme of the individual and cultural identity in the contemporary society and invited young artists with Anita Rubiku and Nico Vascellari to express their personal perception of the item, through an interpretation of the spaces offered by the gallery. Notice the regularity of ordinal numbers beginning with undicesimo. The suffix -esimo is added to the cardinal numbers by dropping the final vowel of the cardinal number.

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Since Italian ordinal numbers function as adjectives, they must agree in gender and number with the nouns they modify: primo , prima , primi , prime. Share Flipboard Email. Cher Hale is the founder of The Iceberg Project, a language-learning platform for students of the Italian language. She also hosts the "30 Minute Italian" podcast. Updated February 03, You can use the following table to memorize numbers from 1 to A: Quanto costa la focaccia?