Sexual Fiction: Volume 29 (New Accents)

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This lush story combines elements of Chinese legends with Western fairy tales, and the result looks to be mesmerizing and original. The most dangerous thing she can do during her training is fall in love—especially with one of the other consorts, Wren. While tackling questions of vengeance versus justice, and the responsibilities of those with special powers, fantasy expert Meyer The Lunar Chronicles added a complex love story to the mix. From Mari, a monster hidden in female human form, to her best friend, Akira who is half-human, half-yokai , to prince Taro, who represents the ultimate prize, the fate of each depends on their evolving relationships with each other.

Bonus: as a standalone, the story is powerful and complete, perfect for fantasy fans with trilogy fatigue. But that was before her wealthy, estranged grandmother Lilian offered her a cool half-million to come live with her and participate in the deb season. Hide With Me , by Sorboni Banerjee November 6 When Texas football player Cade comes to the aid of a mysterious girl outrunning a violent past, their burgeoning friendship changes both their lives.

But when her seemingly awesome boss, a paleo podcaster she idolizes, reveals his nasty true colors, Natalie is thrown for a major loop. This book looks like an empowering love letter to STEM girls, fashion, and finding your voice. Six decades later, high school senior Abby feels comparatively free to date girls, but struggles with a recent breakup. Each teen finds solace in books. The traumatic experience had different consequences for each teen. Chandler remains closed off, determined to stay in Kentucky and continue life as planned.

I got wind of it several weeks ago but just recently found out how bad it is. The New Dime Novels were issued with a dual numbering system on the cover, one continuing the numbering from the first series and the second and more prominent one indicating the number in the current series; for example, the first issue was numbered 1 The stories were mostly reprints from the first series.

Like its predecessor, Beadle's New Dime Novels ran for issues, until Much of the content of dime novels came from story papers , which were weekly, eight-page newspaper-like publications, varying in size from tabloid to full-size newspaper format and usually costing five or six cents. They started in the mids and were immensely popular, some titles being issued for over fifty years on a weekly schedule. They are perhaps best described as the television of their day, containing a variety of serial stories and articles, with something aimed at each member of the family, and often illustrated profusely with woodcuts.

Most of the stories in dime novels stood alone, but in the late s series characters began to appear and quickly grew in popularity. The Old Sleuth, appearing in The Fireside Companion story paper beginning in , was the first dime-novel detective and began the trend away from the western and frontier stories that dominated the story papers and dime novels up to that time.

He was the first character to use the word sleuth to denote a detective, the word's original definition being that of a bloodhound trained to track. He is also responsible for the popularity of the use of the word old in the names of competing dime novel detectives, such as Old Cap Collier, Old Broadbrim, Old King Brady, Old Lightning, and Old Ferret, among many others. Nick Carter first appeared in in the New York Weekly.

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It was not a success, but the format was so much cheaper to produce that they tried again in with The Fireside Library and Frank Starr's New York Library. The first reprinted English love stories, the second contained hardier material, but both titles caught on. Publishers were no less eager to follow a new trend then than now. Soon the newsstands were flooded by ten-cent weekly "libraries". The Old Cap Collier Library was issued in both sizes and also in booklet form. Each issue tended to feature a single story, unlike the story papers, and many of them were devoted to a single character.


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Frontier stories, evolving into westerns, were still popular, but the new vogue tended to urban crime stories. One of the most successful titles, Frank Tousey 's New York Detective Library eventually came to alternate stories of the James Gang with stories of Old King Brady, detective, and in a rare occurrence in the dime novel several stories which featured both, with Old King Brady doggedly on the trail of the vicious gang.

The competition was fierce, and publishers were always looking for an edge.

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Once again, color came into play when Frank Tousey introduced a weekly with brightly colored covers in The price was also dropped to five cents, making the magazines more accessible to children. This would be the last major permutation of the product before it evolved into pulp magazines. Ironically, for many years it has been the nickel weeklies that most people refer to when using the term dime novel.

The nickel weeklies were popular, and their numbers grew quickly. The Tousey stories were generally the more lurid and sensational of the two. Ogilvie and Arthur Westbrook. These books were published in series, contained roughly to pages, and were 4. They reprinted multiple stories from the five- and ten-cent weeklies, often slightly rewritten to tie them together.

They developed the practice of publishing four consecutive, related tales of, for example, Nick Carter, in the weekly magazine, then combining the four stories into one edition of the related thick-book series, in this instance, the New Magnet Library. The thick books were still in print as late as the s but carry the copyright date of the original story, often as early as the late nineteenth century, leading some dealers and new collectors today to erroneously assume they have original dime novels when the books are only distantly related.

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In , Frank Munsey had converted his juvenile magazine Argosy into a fiction magazine for adults, the first of the pulp magazines. By the turn of the century, new high-speed printing techniques combined with cheaper pulp paper allowed him to drop the price from twenty-five cents to ten cents, and sales of the magazine took off. In the late s and early s, collecting dime novels became popular, and prices soared. Even at that time, the cheap publications were crumbling into dust and becoming hard to find.

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Two collectors, Charles Bragin and Ralph Cummings, issued a number of reprints of hard-to-find titles from some of the weekly libraries. From Wikipedia, the free encyclopedia. This article is about U. For the British versions, see Story papers and Penny Dreadfuls. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

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American firms also issued foreign editions of many of their works, especially as series characters came into vogue. As a general rule, the date of the printing can be determined from the other titles in the series listed on the back cover. Dime novels were issued in twos or sometimes fours, so a first printing does not list more than three numbers beyond the number on the cover, whereas a later printing may list a hundred titles beyond the cover number. The books are so rare now that the lateness of the printing does not much affect their price.

The stories were similarly reprinted in various other formats. In one incarnation or another, he has been active for over years, most recently as Nick Carter, Killmaster, in a long-running paperback series. The Library of Congress: Special Collections.


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